Howard
Casner began writing screenplays when he moved to Los
Angeles in 2001.
In 2003, he became a reader and judge for the Slamdance Screenplay
Competition where he discovered the first place winner for that year and for
the four years following. Also, though Slamdance, he originated and co-produced the Slamdance on Stage reading series in which the winners of the competitions were given staged readings at different legitimate theaters around town.
Since
then he has provided coverage and screenplay consultation for Slamdance
Screenplay Competition; Here! Networks/Regent Entertainment; Final Draft Big
Break Screenplay Competition; Budget Cheetah; Creative World Awards; Gimme
Credit Screenplay Competition; African Film Commission Screenplay Competition; Screenplay
Readers and Coverageink.
He
has also completed a number of screenplays and written a straight-to-cable
screenplay for Here! Networks/Regent Entertainment. His screenplay Rough Trade is a
semi-finalist in the 2007 Extreme Screenplay Competition; a quarter finalist in
the 2007 Screenwritingexpo Competition; a quarterfinalist in the 2009 Champion
Screenwriting Competition; and a semifinalist in the 2012 Outfest Writer’s
Lab. His screenplays Rough Trade and
Welcome to L.A. both made the top twelve in the 2011 Great Gay
Screenplay Competition with Welcome to L.A. making the top five. His screenplay Revelation is a
finalist in the 2007 Screenplay Festival Competition. His most recent screenplay made the finalists in the London Film Awards screenplay competition.
In addition, he heads and moderates the
Write Club screenwriting group that meets every other week in Hollywood. For
more information check out: http://www.meetup.com/Write-Club/.
Prior
to his arrival in L.A., his main emphasis had been on writing for the stage and
his plays have been seen in Chicago, New York and L.A. His most recent L.A. production was for his
dark comedy Queen Christina Goes Roman
and in 2002, he received a GLAAD nomination for best L.A. production for his
play A Cold Coming We Had of It.
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